We here at Mutable just discovered Alexander Ross, and he has immediately become one of our new favorite humans. At first, we merely enjoyed him for the fact that his art is just the sort of abstract realism that we love to love. (See above.) Which for some reason reminds me of Kelly Reaves’ work.
But then, we discovered the album of his below, put out by our friends Audio Dregs, and featuring art that is more Jim Woodring than Salvador Dali. Then we listened to his music. Then we asked ourselves how it was possible we had never listened to his music before.
Of course, we had to immediately contact Eric Mast over at Audio Dregs to discover more about this mystery, and he was happy to explain how he had first discovered Fantastic Palace's music on a CD comp in ’92 called Chinny Chin Chin (See Eye) and played it on his college radio show at the time a bunch, listening to it for some 20 years, only to then discover it was his friend, Mike McGonnigal, who had originally released it, and the two got in touch with Fantastic Palace (Alexander Ross) to re-issue it on vinyl, a release that has just recently officially sold out.
As for the video below, it was not taken by Mast, but it certainly rounds out the mystery of who Alex Ross is and what he believes in.
Through the course of it, Ross discusses all aspects of his style, influences, and current experiments. The first painting they talk about is very different stylistically from the drawing above, and at first glance it seems almost cheesy, but when you get in close, you see the wonderful vibrancy of the piece. We have a special fondness for works that begin with clay sculptures and go from there, not to mention works that transform as you approach (think Chuck Close), and of course it’s also so illuminating hearing Ross talk about the “photorealism” of the paint versus the more abstract pencilwork in that first painting the video focuses on.
Over the course of the studio visit, Ross also talks about his distinct interests and many inspirations, from psychedelics, to silly putty, to mites, describing his drawings as a kind of monstrous R. Crumb scientific drawings. My favorite parts are always when Ross lets loose about how his ideas have evolved and are continuing to evolve.
Be sure to stick around to the end to get some nice peaks of some delightful experiments. “The most intelligent technology is nature.” Indeed.
