In the Mutableye
Michael Lewy’s art exists in spaces that are often bare of even desolation, and utilizes common usually office-related objects to then re-interpret or re-examine them in an abstractified way. There is something very etherealized and conceptualizing about his CGI interpretations of office environments and other equally meaningless spaces, and something appealing too, but my favorite of Lewy’s works always have some sort of story to them—a simple image that suggests some larger story we are missing or a video project that is much about the back-story of his trapped minuscule double for example. (I am thinking of the video projection piece in the City of Work series, that gives us a glimpse of a minuscule Lewy in a CGI workplace dealing with his solitude poorly.)
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