Gabriel Boyer
Transformers. More than meets the eye. Although in the case of the most recent Transformers film the reverse is true, that everything is in full view, it’s just that there’s so much of it. The camera flits from shot to shot with the agitation of a hummingbird on steroids, thereby leaving the audience no room to question or even think as images wash over them at brainwash speed. It’s like someone’s raping your mind.
Three second cuts with impossibly intricate robot disappearing acts? A bevy of beautiful women? (Every woman in the film is either super-model status or the main character’s mom.) More explosions than I care to count and characters who are always just about to burst an adrenal gland in their excitment? Two gang banging illiterate autobots with large ears and gold teeth who speak in some painfully stereotyped street slang? Welcome to the world of Michael Bay.
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