Of course, we had to immediately contact Eric Mast over at Audio Dregs to discover more about this mystery, and he was happy to explain how he had first discovered Fantastic Palace's music on a CD comp in ’92 called Chinny Chin Chin (See Eye) and played it on his college radio show at the time a bunch, listening to it for some 20 years, only to then discover it was his friend, Mike McGonnigal, who had originally released it, and the two got in touch with Fantastic Palace (Alexander Ross) to re-issue it on vinyl, a release that has just recently officially sold out.
As for the video below, it was not taken by Mast, but it certainly rounds out the mystery of who Alex Ross is and what he believes in.
Through the course of it, Ross discusses all aspects of his style, influences, and current experiments. The first painting they talk about is very different stylistically from the drawing above, and at first glance it seems almost cheesy, but when you get in close, you see the wonderful vibrancy of the piece. We have a special fondness for works that begin with clay sculptures and go from there, not to mention works that transform as you approach (think Chuck Close), and of course it’s also so illuminating hearing Ross talk about the “photorealism” of the paint versus the more abstract pencilwork in that first painting the video focuses on.
Over the course of the studio visit, Ross also talks about his distinct interests and many inspirations, from psychedelics, to silly putty, to mites, describing his drawings as a kind of monstrous R. Crumb scientific drawings. My favorite parts are always when Ross lets loose about how his ideas have evolved and are continuing to evolve.
Be sure to stick around to the end to get some nice peaks of some delightful experiments. “The most intelligent technology is nature.” Indeed.