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Neptune

January 13, 2021 in Isstillcools**t, Feature

In the Mutableye

Neptune was one of those bands that for the longest time the quintessential Boston art rock band. Jason was one of the first people to start hosting performance art in his loft in JP back in 1994, and his handmade scrap metal guitars have become symbols of another time in Boston—when the apocalypse was a quaint fantasy we longed for with baited breath rather than the disappointing s**tshow it’s turned out to be. Although, Jason has since moved on to the equally remarkable E with Thalia Zedek of Live Skull and Uzi fame, we will always remember with great fondness the mesmerizing grittiness of this particular long-running Sanford project. I will never forget standing in the dark of the Middle East and knocking my head back and forth to the rhythm of beer bottles being smashed in a generic metal trash can as the home-made guitars thrashed and Jason cut new grooves in his throat with his incomparable screams. All lovers of 90’s rock should have a copy of the recently re-released Studio Recordings.

Studio Recordings / May, MCMXCVII by NEPTUNE, released 02 February 1999 1. Sponge Envy 2. Take It Out 3. Wife Beater 4. Jellyfish 5. When I'm Alone 6. Titanic 7. New 8. Am I Dead Yet? 9. Ink 10. Electricity Says Recorded in May of 1997 with Y.

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In the Mutableye is a segment that sometimes showcases something interesting that is happening somewhere in the world at this moment, and sometimes showcases some fad or person from the past that we here at Mutable acknowledge is still cool s**t.

Tags: Neptune, Jason Sanford
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