Places Outside of Place (2 of 2)

January 13, 2021 in Article, Feature

Luther Philips

3.
Imaginary Realm: History, Memory, & Self

“Answer my prayer, God, and tell me, pitiable as I am, be pitiful to me and tell me this: did I have another period of life, which died and was succeeded by my infancy? Was this the period which I spent inside my mother’s womb,” (Augustine, Confessions, p. 22)

Both Thomas More and his friend Desiderius Erasmus were humanists. Meaning specifically that they emphasized the dignity of Man and the power of Reason while remaining deeply committed to Christianity, and through all of his many successes—entering the service of King Henry VIII in 1518, becoming Chancellor in 1529—More remained a profoundly religious Catholic. Because he couldn’t escape his desire for a wife, More chose to become a “chaste husband rather than a licentious priest” but all the same longed for a Christian vita contemplativa from early youth, and throughout his life, More followed many of the ascetic practices of monks: rising early, fasting, engaging in prolonged prayer, and wearing a hair shirt. He also was famous for his immense poverty.

Places Outside of Place (1 of 2)

January 12, 2021 in Article, Feature

Luther Philips

1.
Places and People: Adam, Eve, & Prometheus

“And I wish that I were not any part / of that fifth generation / of men, but had died before it came, / or been born afterward,” (Hesiod. Trans. Richard Lattimore. Ann Arbor: University of Michigan Press, 1969; p. 39).

Adam and Eve ate from the tree of knowledge. The true and honest experience of their former idyllic lives was now sullied by a pervasive internal vision. They knew that they were and they became conscious.

There’s that old adage that people are gods that shit. We can envision this as the story of an Adam and an Eve happily shitting away in Eden day in day out until that moment they discovered the God in them (i.e. the moment they ate of the tree of knowledge of good and evil), and never again would they be able to so blissfully vacate their bowels in the bosom of nature as once they had done. This is the quintessential tale of the noble savage—in which humanity is pure, ignorant and blissful—but there is a snake in this garden.

The Stendhal Syndrome

January 12, 2021 in Article, Feature

Luther Philips

In 1989, Professor Graziella Magherini, a Florentine psychiatrist and psychoanalyst, made her name with the publication of The Stendhal Syndrome, addressing clinical instances of queasiness, disorientation, heightened sensitivity, and panic in people confronted by great works of art or architecture. Named after Stendhal, the pen name of Marie-Henri Bayle, best known for his novels The Red and the Black and Charterhouse of Parma, whose diary contained an account of his visit to the Church at Santa Croce, where he fainted in sympathetic response to a painting. This affliction, also dubbed Hyperkulturemia or Florence syndrome, is a psychosomatic illness that can cause rapid heartbeat, dizziness, fainting, confusion and even hallucinations, usually when a person’s viewing art that is particularly beautiful or a large amount of art in a single place. The term can also be used to describe a similar reaction to a surfeit of choice in other circumstances, e.g. when confronted with immense beauty in the natural world, or when overwhelmed by the viewing possibilities presented by Netflix.

Places Outside of Place (2 of 2)

Luther Philips

Places Outside of Place (1 of 2)

Luther Philips

The Stendhal Syndrome

Luther Philips

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